Sunday, 8 March 2020

S-A-W waves of the past, Ghosts of the present

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In somewhat quick succession, certain camps of electronic music afficionados could treat themselves to two new releases with stellar p...
Wednesday, 22 January 2020

Organic chemistry: That Which Prevails, the new album by Computerchemist

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Computerchemist 's ninth album is a solid island of complex Berlin School-style electronica in an ocean of myriad other mainstream ...
Friday, 10 January 2020

Wave futures now: the novel Korg Wavestate synthesizer

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Korg Wavestate (photo by Korg) Wave sequencing exploded into public consciousness with the Korg Wavestation at the beginning of the ...
Tuesday, 26 November 2019

From vintage to new territories: Peter Baumann and Paul Haslinger's Neuland Project

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It is fair to say that a collaboration album from two musicians like Peter Baumann and Paul Haslinger  is no ordinary event in the tim...
Tuesday, 12 November 2019

The infinite from the ephemeral: Jean-Michel Jarre's EoN generative music app

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Generated image of EoN infinite music app Generative music has a surprisingly long history... It goes back to an era that very much p...
Friday, 11 October 2019

Nostalgia, renewal, and Tangerine Dreaming

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Nostalgia is a powerful force. If one is tempted to say that the previous statement mainly applies to marketing nowadays, many ...
Sunday, 8 September 2019

Misynformation: synth reviews in the post-truth world

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The term post-truth (or post-fact) was coined by Steve Tesich in the early 1990s in his essay The Nation. It has been widely used in pol...
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