Rick Wakeman, one of the most prominent rock legends and keyboard virtuosi, has turned 70 on 18 May.
At a young age having become known as a formally trained keyboard wizard in the progressive rock band Yes, he moved on to a hugely productive solo career, too.
Something that is absolutely essential to stress in Wakeman's case, when comparing him to other keyboard giants of the era, is that his phenomenal command of music theory and technical abilities were never self-serving and purely for show.
It is rare to have a keyboardist with vast imagination rendering vast orchestral and choral arrangements seemingly effortlessly, coupled with stunning technical ability - and still, not to have the musician venture into empty bravado just to show off his skills.
Apart from his classics like The Six Wives Of Henry VIII and the epic Journey To The Centre Of The Earth, some of his maybe lesser known concept albums like Criminal Record can demonstrate his ability to imagine huge instrumental pieces, with towering complexity but also with great expressivity - and making them seem effortless. One such track is Judas Iscariot from aforementioned album...
Whilst in the UK, especially with the arrival of punk, a lot of the excesses and visuals of the prog rock bands have gone through much ridicule, some of us had the fortune of accessing such music, very much including Rick Wakeman's monumental compositions via just the music alone.
Often the original album was not even available in certain Easter Bloc regimes that suppressed such music. Concert footage with capes and wizard outfits and knights ice skating on vast stage sets were absolutely impossible to get hold of.
Thus, one can never forget how 'accessing' such music through just the music, often via some third-hand cassette copy in the 1970s and 1980s of Communist dictatorships, was a life-changing experience.
The huge mistake in pigeonholing such music as 'prog rock excess' is that, obscured by the visual excesses of the era, the actual music is not analysed for what it actually is.
The musicianship of those bands, and that of Rick Wakeman, is still a lesson to myriad aspiring and competent, even successful, musicians today.
Sure, as he wrote in his inimitable style in his autobiographical Say Yes, there have been many hilarious stories and escapades both on and behind the stage...
Whilst he is renowned for the epic scale compositions, and the superhuman keyboard performances delivered with breathtaking technique, Rick Wakeman has often changed direction and could surprise fans with music that would never have been thought as something that emanated from his studio.
Such example is the absolute tranquility and subtlety of something like his Sun Trilogy, with the opening track of the first album below.
He often turned to solo piano, too, and leaving aside the many stacks of many synthesizers, could compose and perform exquisite gems of piano pieces, like the following from his album Night Airs.
His creative appetite and even his touring efforts have not stopped, still very active in both the studio and on stage.
Many happy birthdays, and continued inspiration for the future!
