The Master of sonic galaxies: R.I.P. Klaus Schulze

 

Klaus Schulze, a truly unique trailblazer, a relentless musical innovator with colossal discography filled with superhuman epic journeys through galaxies of sounds... has died on 26 April 2022. 

It is an over-used expression, but in His case, true to the letter: a unique mind, a unique spirit, a unique musician. To the very end, despite his colossal achievements, he remained charming, gentle, even self-parodising, with a lucid and stunningly honest view of his own artistic achievements.

My "first" was the impossible to describe or even grasp Timewind, when I was almost 14 - and it was something literally out of this world, it was like nothing ever heard or imagined to hear ever. It was the start of decades of excited discoveries. 

It was something that taught me: there is music that breaks every convention, every preconception - it just emanates from the fabric of the Universe, it surrounds you, it evolves and it cannot be poured into words chosen by a feeble ordinary human mind. One just had to surrender oneself to it and embark on a journey beyond journeys.

So a huge thanks for many decades of just superhuman meditations, of sound worlds that just came into being and evolved with myriad scintillating details. 

An era has ended - not just in electronic music. If Yannis Xenakis in his avantgarde and seminal Musique Formelle talked about galaxies of sounds, when modeling mathematically musical events, well, Klaus Schulze created those with pure human spirit and emotion.

He made impossible music possible - and instantly recognisable as something coming out of His studio, His mind. 

Even his collaborations are stellar, and out of this world. Who would have thought Lisa Gerrard's vocal improvisations will meet in something truly unique with the electronic Grand Master's improvisations? Or that Wolfgang Tiepold's phenomenal and heartfelt cello improvisations would blend with intricate electronics so well? And then we have Ash Ra Tempel, we have Tangerine Dream at the beginnings, to name just a few more giants of the musical landscape.

May He rest in peace and travel among unimaginable galaxies of sounds of a very special Universe he managed to give us glimpses of.

Remembering Isao Tomita (1932-2016)

Isao Tomita, a Japanese synthesizer pioneer who achieved world fame with his over 20 studio albums, has died age 84.

He literally brought synths to Japan, and apart from his soundtrack work, his unique and even today unparalleled electronic re-imaginings of classical works made his name globally recognised.

Tomita was the first Japanese artist nominated for Grammy, actually four Grammys (for his 1974 Debussy-inspired album Snowflakes are Dancing).

One must say "re-imaginings"... His synth transcriptions of Debussy, Ravel, Mussorgsky, Bach, to pick just a very few, are light years away from what one traditionally understands as transcriptions.

One critic once said that Tomita's works were "too perfect" - even if unintentional, this was a perfect compliment. The synthesizer poems were musically perfect, following in every detail the original scores... However, where Tomita truly set himself apart from the other electronic artists who chose to re-work classics was his unparalleled way of projecting the works into a mesmerising astral sound world, perfectly capturing the original works' artistic intent and mood.

It is perhaps a sacrilege to purists' ears to say that Tomita often augmented the original works' emotional effect.

Whilst sometimes he has taken more liberties with the materials, combining different sources into compositions on a certain theme (as he did on the Kosmos album for example), his faithful electronic re-imaginings of e.g. Debussy and Mussorgsky are to this day unsurpassed.

In a way that extremely few synth artists managed in the heroic '70s and '80s, Tomita demonstrated that electronic music can indeed be deeply human, emotional, thought-provoking and imagination-stimulating at the same time.

As a personal note... must say that as a teenager listening to electronic music as fantastic escapism from the realities of a totalitarian dictatorship, for me Tomita, too, was one of the synth artists I must remain forever grateful for the sonic journeys they took me on.

Isao Tomita kept working into his 80s, even before his passing he was working on Dr. Coppelius with premiere scheduled for November this year.

Tomita passed away of heart failure, surrounded by his family.

Photo: Michael Ochs / Getty Images