Friday 4 January 2019

The Vangelis Register


In expectation of the upcoming piano album Nocturne, some internet comments on the first single from that album prompted a bit of an inventory...

No paperwork is involved, and it is not a catalogue of Vangelis releases... Instead, as some commented on Youtube along the lines of why Vangelis is releasing a "new age"-like album, or why he "pretends" to be a "classical composer" etc., it attempts to capture the list of genres, sub-genres and styles Vangelis has composed in. Some may have only heard of him due to certain soundtracks, but the full picture of his musical output is as astounding as one could possibly imagine (or not, in our world of increasingly pigeon-holed electronic music).

The list, admittedly, contains some quite loose categorisations, too - apologies, but latter are inevitable... not only because Vangelis often manages to fuse vastly different styles and genres, but also because often he can put a very personal spin on a well-established category...

So a quick "inventory" of what one can hear in his discography, with examples given as album and/or track titles:
  • Early Medieval polyphony / Gregorian chant and Byzantine sacred music influences (parts of Mask, Heaven and Hell Part II, 1492 Conquest of Paradise, Ignacio)
  • Echoes of mid- to late Renaissance secular and sacred music, including specific embellishments and phrasing (Monastery of La Rabida, parts of Direct and Opera Sauvage, a capella parts of Mask and Heaven and Hell)
  • Jazz and jazz-rock (parts of Albedo 0.39, See You Later, Direct, Opera Sauvage)
  • Progressive rock (Earth, certain Jon & Vangelis tracks)
  • Space rock (Albedo 0.39, Spiral, Rosetta)
  • Echoes of Berlin School i.e. works building on sequenced background and patterns (parts of Spiral, Direct)
  • Minimalism, within that perhaps closest to a patterned/repetitive Steve Reich-like approach (Soil Festivities)
  • "New Age", with a highly personal take on it (large parts of Oceanic, parts of Voices)
  • Ambient (Creation du Monde, parts of The City, parts of Albedo 0.39 and Friends of Mr. Cairo)
  • Electro-acoustic experimental (Beaubourg, Invisible Connections)
  • Psychedelic rock (Hypothesis)
  • Oratorio (Mask, Mythodea)
  • Piano etudes (The Long March, seemingly the upcoming album Nocturne)
  • 1920s style "easy listening" with 1950s arrangements (One More Kiss Dear)
  • Synth-pop (I'll Find My Way Home and some other Jon & Vangelis tracks)
  • Pop ballads (from Aphrodite's Child era, e.g. Spring Summer Winter and Fall)
  • Eurodisco (Multitrack Suggestion)
  • Rock 'n' Roll (Back To School)
  • Symphonic poems / suites (El Greco - the studio album, Chariots of Fire final suite)
  • Penderecki / Orff-style choral-symphonic suites (Heaven and Hell)
  • Folk re-arrangements / re-interpretations (traditional and original songs on Odes)
  • Blues and blues-rooted ballads (parts of Blade Runner, some Jon & Vangelis collaborations, Le Singe Bleu)
  • Vocal-instrumental experiments and improvisations (Curious Electric and other parts of Short Stories, parts of See You Later)
  • As a genre in itself, cinematic soundtracks (albeit spanning several above categories) - obviously, no examples are needed here of some of his era-defining classics... 
Identifiable specific ethnic influences:
  • Celtic (Irlande, from Opera Sauvage)
  • African (La Fete Sauvage)
  • Far-Eastern (obviously the entire album China, some tracks on The City)
  • Near- and Middle Eastern (2 tracks on Blade Runner, parts of Alexander, the ballet score The Thread)
  • Greek secular and Byzantine sacred music influences (Earth, El Greco OST & same title studio album, original tracks on Odes, Rapsodies)
  • Spanish / Andalusian with clear Moorish influences (parts of 1492 Conquest of Paradise)
  • Native American Indian (parts of 1492 Conquest of Paradise)
It is a simple, but rather astonishing, fact that he really is the one and only synthesizer artist who managed to create music with such range - regardless of one's taste, the list is simply astounding. Whether one can appreciate all these musical genres, styles, historic periods' and geographic areas' specific musical characteristics, that is another matter entirely.

Considering that all of the above are instantly recognisable as works by Vangelis, one is reminded of a social media thread not so long ago. It asked, what genre does he compose in - the only correct answer was that the genre is called... Vangelis.


3 comments:

  1. thanks, admittedly a vague attempt, some "boxes" are hard to define - so at best, making some side-ways references to music periods, styles etc. where there is some illustrative connection in his music.

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  2. I have all Vangelis' work ripped onto a USB stick that I use in my car for commutes to work. Everyday I might be in a different mood and want to listen to something of a particular mood or genre and there is always something there in Vangelis'discography. It always amazes me the breadth and variety of his music.I always prefer his Nemo studios period, mind, and somehow I keep returning to his Heaven and Hell album, such a huge and varied collection of music. After so many decades listening to his music, it's funny how i keep on returning to that album. I look forward to hearing Nocturne today.

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